Xabier Anduaga

Press

“Time seemed to stop.”

The New York Times

The New York Times

“A Tenor Arrives at the Met Opera in ‘Elisir’”

Seen and Heard International

“Spanish tenor Xabier Anduaga has already established himself as a world champion.”

International press & reviews

01

The New York Times

18 April 2023
L’elisir d’amore
Metropolitan Opera, New York

“A Tenor Arrives at the Met Opera in ‘Elisir’”

Oussama Zahr

02

Seen and Heard International

22 April 2024
Lucia di Lammermoor
Royal Opera House, London

“Spanish tenor Xabier Anduaga has already established himself as a world champion.”

03

BR-Klassik

22 December 2024
La fille du régiment
Bayerische Staatsoper, Munich

“Der Star des Abends hat das Zeug zum Weltstar.”

“The star of the evening has what it takes to be a world star.”

Bernhard Neuhoff

04

Die Presse

18 March 2025
L’elisir d’amore
Wiener Staatsoper

“Ein neuer Publikumsliebling in der Staatsoper: Xabier Anduaga.”

“A new audience favourite at the Staatsoper: Xabier Anduaga.”

Dávid Gajdos

05

Ópera Actual

15 August 2025
Recital
Quincena Musical, San Sebastián

«Anduaga pone en pie al público de la Quincena».

“Anduaga brings the Quincena audience to its feet.”

Nora Franco Madariaga

06

Forum Opéra

10 December 2025
Recital
Teatro de la Maestranza, Seville

« Séville dont le prince est un ténor. »

“Seville, whose prince is a tenor.”

07

Die Presse

2 February 2026
La traviata
Wiener Staatsoper

“Ein Shooting Star glänzte als Alfredo.”

“A shooting star shone as Alfredo.”

Walter Dobner

08

La Vanguardia

4 May 2026
Werther
Gran Teatre del Liceu, Barcelona

«Anduaga enamora al mundo».

“Anduaga makes the world fall in love.”

Maricel Chavarría

09

Ópera Actual

6 June 2026
La traviata
Opéra national de Paris

«Xabier Anduaga triunfa en la ONP».

“Xabier Anduaga triumphs at the Paris Opera.”

Jaume Estapà

10

Die Presse

2 November 2026
La fille du régiment
Wiener Staatsoper

“Bei diesem Tenor strahlen nicht nur die hohen Cs.”

“With this tenor, it’s not only the high Cs that shine.”

Walter Weidringer